Plastic Off the Sofa
29 November 2022 - 30 mins“Black Panther: Wakanda Forever” came into theaters with a huge responsibility: It had to address the death of Chadwick Boseman, the star of the first “Black Panther” movie, who died of cancer in August 2020.
Wesley and J discuss how the film offers the audience an experience of collective grief and mourning — something that never happened in the United States in response to the losses of 2020. They interrogate what it means that this gesture of healing came from Marvel and Disney, a corporate empire that is in control of huge swaths of our entertainment, and not from another type of leadership.
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Series Episodes
My Favorite Performances of the Year
explicitOn today’s show, Wesley reveals his favorite film performances of the year — but his list is not an ordinary best-of list. He zeroes in on the specific details that make a performance great. Like, who did the best acting in a helmet this year? Who were the most convincing on-screen best friends? And who refused to play it safe? Find out in our first annual Cannonball Great Performers special.
1 hour 3 mins
11 December Finished
D’Angelo and the Power of Last Albums
explicitThe world is different once an artist dies. The same goes for their music. Since D’Angelo’s death, Wesley keeps returning to “Black Messiah” — to him, a perfect final album. What makes an artist’s last record resonate with us long after they’re gone? Wesley invites his friend Alex Pappademas, a senior culture editor at GQ Magazine, to listen back to some last albums that have haunted them both.
46 mins
4 December Finished
I Love This Eddie Murphy Interview
Cannonball is off this week for the holiday. But I wanted to share something with you from our friends over at The Interview. It’s a conversation that my colleague David Marchese had awhile back with one of our biggest stars, Eddie Murphy. I've been thinking about it recently because there's a new documentary about Murphy that just came out on Netflix -- and I highly recommend this conversation as a kind of companion listen over your long weekend. Murphy reveals a surprising side of himself that I hadn’t heard before. Hope you enjoy it, and see you back here next week!
59 mins
27 November Finished
'The Perfect Neighbor' Is an American Nightmare
Netflix has a hit in “The Perfect Neighbor,” a documentary attracting a lot of attention for both its subject and its form. Using police camera footage, the film shows the events leading up to the killing of a Black mother of four by her white neighbor. It’s unquestionably powerful and difficult viewing. But for Wesley and his fellow Times critic Parul Sehgal, it raises all kinds of moral and ethical questions. What does it mean to watch these events through the lens of the police officers involved? Is the movie the filmmakers thought they were making the one that the audience is actually receiving? And should we even be allowed to see this?
44 mins
20 November Finished
Where Have All the Covers Gone?
Every December, Wesley’s hometown radio station, 88.5 WXPN, does some kind of end-of-year countdown, as voted on by listeners. This year, it’s the 885 greatest cover songs. This was exciting news for Wesley, who loves himself a good cover — and considers their near disappearance from pop music to be a kind of national tragedy. He talks all things covers with one of his favorite reinterpreters of music, the Grammy-nominated jazz singer Cécile McLorin-Salvant, who also happens to have done a cover that landed at No. 7 on the list he agonized over for WXPN.
42 mins
13 November Finished
When Did Music Critics Get So Nice?
explicitFor Wesley, the most interesting thing about Taylor Swift’s latest album didn’t have much to do with the music. It was the critical response. Sure, there was plenty of enthusiasm. But there was also some exasperation and weariness. And to Wesley, that felt like a needed shift in pop music criticism. Which has gotten awfully nice lately. A little too nice. That idea — that pop music criticism has lost its edge — was explored in a recent New Yorker essay by Wesley’s buddy and fellow critic, Kelefa Sanneh. The two get together to trace the history of the form and think about what’s lost when critical punches are pulled.
58 mins
6 November Finished
