Champagne Supernova Edition Part 1 Image

Champagne Supernova Edition Part 1

13 May 2023 - 1 hour 7 mins
Podcast Series Hit Parade | Music History and Music Trivia

In the ’90s, U.K. rock was by Britons, for Britons. The music of the U.K. indie, Madchester and shoegaze scenes fused together into a new wave of guitar bands with punk energy, laddish lyrics and danceable grooves. They called it Britpop.

In the motherland, Britpop set the charts alight: Blur faced off against Oasis. Pulp poked fun at the class system. Suede sold androgyny, and Elastica repackaged ’70s art-punk as ’90s pop. But with rare exception, these hits didn’t translate in America. There was no Third British Invasion in the ’90s—with the exception of that one inscrutable Oasis song about a “Wonderwall.”

Why did Britpop fire up Old Blighty and flop with the Yanks? Join Chris Molanphy...

1 hour 7 mins

Series Episodes

Gotcha Covered Edition Part 1

Gotcha Covered Edition Part 1

Cover songs once had a simple playbook: Artists would faithfully rerecord a song—note for note and word for word. They might modernize the instrumentation. If they were feeling radical, they’d punch up the vocals a bit. Now it’s hard to say what a cover is anymore. If Ariana Grande turns “My Favorite Things” into “7 Rings,” does that qualify? When Drake says he’s “Way 2 Sexy,” is he covering Right Said Fred? The recent chart success of “Fast Car”—country star Luke Combs’ very traditional take on Tracy Chapman’s folk classic—has reinvigorated interest in cover songs. Sometimes, isn’t just remaking the song as-is enough? Join Chris Molanphy as he explains the chart considerations and artistic motivations that rebooted the cover song, and whether a straight-up remake will ever top the Hot 100 again. We’re long past the days of “Twist and Shout,” “Venus” and “I’ll Be There.” Podcast production by Olivia Briley. Learn more about your ad choices. Visit megaphone.fm/adchoices

57 mins

16 March Finished

Hello, Gorgeous Edition Part 2

Hello, Gorgeous Edition Part 2

Barbra Streisand: star of stage and screen. Oscar-winner, film director and TV producer. Culture warrior and meme generator. Yes, all that—but don’t get it twisted: Barbra’s legend rests in her catalog of hit songs—and that voice. Even as culture vultures consume her recent doorstop of a memoir My Name Is Barbra, what’s getting overlooked are Streisand’s awesome musical benchmarks, especially on the Billboard charts. All of those records Taylor Swift has been setting on the album chart, and Billie Eilish on the Grammys? Babs got there first. At a time when rock was ascendant and showtunes were on the wane, Streisand set her own pop agenda, scoring brassy hits that weren’t trendy but topped the charts anyway. She became a pop star, Broadway legend and box-office commander practically simultaneously. Join Chris Molanphy as he tells the story of the original Queen of All Media and explains how she racked up all those hits your mom loved (be honest, you know them too) and made “memories, like the corners of [your] mind.” Trust us: It’ll be like buttah. Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

40 mins

24 February Finished

Hello, Gorgeous Edition Part 1

Hello, Gorgeous Edition Part 1

Barbra Streisand: star of stage and screen. Oscar-winner, film director and TV producer. Culture warrior and meme generator. Yes, all that—but don’t get it twisted: Barbra’s legend rests in her catalog of hit songs—and that voice. Even as culture vultures consume her recent doorstop of a memoir My Name Is Barbra, what’s getting overlooked are Streisand’s awesome musical benchmarks, especially on the Billboard charts. All of those records Taylor Swift has been setting on the album chart, and Billie Eilish on the Grammys? Babs got there first. At a time when rock was ascendant and showtunes were on the wane, Streisand set her own pop agenda, scoring brassy hits that weren’t trendy but topped the charts anyway. She became a pop star, Broadway legend and box-office commander practically simultaneously. Join Chris Molanphy as he tells the story of the original Queen of All Media and explains how she racked up all those hits your mom loved (be honest, you know them too) and made “memories, like the corners of [your] mind.” Trust us: It’ll be like buttah. Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

1 hour 4 mins

10 February Finished

And the Grammy Goes to… Edition Part 2

And the Grammy Goes to… Edition Part 2

Do you watch the Grammy Awards every year and groan, or even yell at the screen? Hit Parade host Chris Molanphy sure does. But he has a weird hot take: The Grammys are better off not trying to be cool. They should reward the popular stuff—especially younger people’s music. Where the Recording Academy actually goes wrong is rewarding the old stuff—legendary artists long past their prime, from Frank Sinatra to Eric Clapton, Steely Dan to Beck. The Grammy wins remembered most fondly are artists at the peak of their chart prowess: Carole King. Stevie Wonder. Michael Jackson. George Michael. Lauryn Hill. Adele. Taylor Swift (and more Taylor…and more Taylor…and more…). When did the Grammys get it most right—and wrong? (Was the Toto win really so bad?) And how can they become more relevant? (Hint: much more rap.) Join Chris Molanphy as he offers a chart nerd’s take on the Recording Academy and offers guidelines for good Grammy governance, just before the 2024 awards. It’s an episode right in the Nick of Time. Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

52 mins

26 January Finished

And the Grammy Goes to… Edition Part 1

And the Grammy Goes to… Edition Part 1

Do you watch the Grammy Awards every year and groan, or even yell at the screen? Hit Parade host Chris Molanphy sure does. But he has a weird hot take: The Grammys are better off not trying to be cool. They should reward the popular stuff—especially younger people’s music. Where the Recording Academy actually goes wrong is rewarding the old stuff—legendary artists long past their prime, from Frank Sinatra to Eric Clapton, Steely Dan to Beck. The Grammy wins remembered most fondly are artists at the peak of their chart prowess: Carole King. Stevie Wonder. Michael Jackson. George Michael. Lauryn Hill. Adele. Taylor Swift (and more Taylor…and more Taylor…and more…). When did the Grammys get it most right—and wrong? (Was the Toto win really so bad?) And how can they become more relevant? (Hint: much more rap.) Join Chris Molanphy as he offers a chart nerd’s take on the Recording Academy and offers guidelines for good Grammy governance, just before the 2024 awards. It’s an episode right in the Nick of Time. Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

53 mins

13 January Finished

Second-Chance Hits Edition Part 2

Second-Chance Hits Edition Part 2

In 2023, several hits from years ago—sometimes decades—made it to No. 1 on Billboard’s pop charts after falling short the first time: Taylor Swift’s “Cruel Summer.” The Weeknd’s “Die for You.” Miguel’s “Sure Thing.” And, most improbably but delightfully, Brenda Lee’s 65-year-old holiday bop “Rockin’ Around the Christmas Tree.” What’s going on here? A lot of it has to do with the ways streaming, YouTube and TikTok have changed the charts. But the truth is, the second-chance hit is as old as the charts themselves From David Bowie to Prince, Sonny and Cher to Guns n’ Roses, the Miracles to the Moody Blues, there are certain songs the music biz won’t give up on. To say nothing of all those holiday perennials, from “Monster Mash” to “Last Christmas.” Join Chris Molanphy as he explains why certain songs keep coming back and counts down a dozen favorite second-chance hits. If it first they don’t succeed, chart, chart again. Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

54 mins

29 December 2023 Finished

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