Are the Rich Really Less Generous Than the Poor? (Update)
26 December - 43 minsA series of academic studies suggest that the wealthy are, to put it bluntly, selfish jerks. It’s an easy narrative to embrace — but is it true? As part of GiveDirectly’s “Pods Fight Poverty” campaign, we revisit a 2017 episode.
SOURCES:Jim Andreoni, professor of economics at the University of California, San Diego.Nikos Nikiforakis, professor of economics at New York University in Abu Dhabi.Paul Piff, associate professor of psychology at the University of California, Irvine.Jan Stoop, associate professor of applied economics at the Erasmus School of Economics.
RESOURCES:"Are the Rich More Selfish Than the Poor, or do They Just Have More Money? A Natural Field Experiment," by James And...
Are You Ready for a Fresh Start? (Update)
Behavioral scientists have been exploring whether a psychological reset can lead to lasting change. In this update of a 2021 episode, we survey evidence from the London Underground, Major League Baseball, and New Year’s resolutions to look at accidental fresh starts, forced fresh starts, fresh starts that backfire — and the ones that succeed.
42 mins
30 December Finished
657. Whose “Messiah” Is It Anyway?
All sorts of people have put their mark on “Messiah,” and it has been a hit for nearly 300 years. How can a single piece of music thrive in so many settings? You could say it’s because Handel really knew how to write a banger. (Part three of “Making ‘Messiah.’”)
48 mins
19 December Finished
Who Pays for “Messiah”?
In the 18th century, Handel relied on royal patronage. Today, it’s donors like Gary Parr who keep the music playing. In this bonus episode of our “Making ‘Messiah’” series, Parr breaks down the economics of the New York Philharmonic.
42 mins
17 December Finished
656. How Handel Got His Mojo Back
When he wrote “Messiah” (in 24 days), Handel was past his prime and nearly broke. One night in Dublin changed all that. (Part two of “Making ‘Messiah.'”)
57 mins
12 December Finished
655. “The Greatest Piece of Participatory Art Ever Created”
Why does an 18th-century Christian oratorio lend such comfort to our own turbulent times? Stephen Dubner sets out for Dublin to tell the story of George Frideric Handel’s “Messiah.” (Part one of “Making ‘Messiah.’”)
56 mins
5 December Finished