The Diddy Trial Is Over, but My Mind Is Still Racing

What does Ryan Coogler’s vampire movie “Sinners” have in common with the Drake-Kendrick beef? Wesley has a theory that he’s been sitting with for weeks. He shares it with the writer Rembert Browne, and together they consider the vampiric threats facing Black art in America right now.

Twenty-four years ago, Wesley Morris and the film curator Eric Hynes were just a couple of “cooler-than-you” cinephiles working at Kim’s Video, the beloved New York City video store. They recently got together to dissect the trends, snubs and outliers on the Times’s 100 Best Movies of the 21st Century list and to shed a few tears over their own top 10s, which are shared below. FROM WESLEY MORRIS: 1. Norte, The End of History 2. Mad Max: Fury Road 3. The Piano Teacher 4. O.J.: Made in America 5. Wall-E 6. Moonlight 7. The Holy Girl 8. Inherent Vice 9. Love and Diane 10. Magic Mike XXL FROM ERIC HYNES: 1. In the Mood for Love 2. The Act of Killing; The Look of Silence (tie) 3. A.I. Artificial Intelligence 4. The New World 5. Hale County This Morning, This Evening 6. Synecdoche, New York 7. Cameraperson 8. 35 Shots of Rum 9. Inside Llewyn Davis; A Serious Man (tie) 10. Zidane: A 21st Century Portrait

Wesley Morris talks with Samin Nosrat, a chef and food writer, about her love-hate relationship with “The Bear,” a show that’s always racing against the clock. She says the best moments, in the show and in our own kitchens, happen when things slow down.

In the new HBO documentary “Pee-wee as Himself,” Paul Reubens, the creator of the iconic character Pee-wee Herman, comes out as gay. Reubens, who spent most of his career in the closet, had already come out years before but then returned to the closet during his time as the popular Saturday morning children’s show host. On today’s episode of “Cannonball,” Wesley Morris talks with the writer Mark Harris about Reubens’s relationship to being closeted, and they discuss what it means for artists to publicly come out.

Host Wesley Morris has a confession to make: He loves Bruno Mars. Nothing wrong with that, right? With the help of the culture writer Niela Orr, Wesley untangles his crush from his discomfort with the pop star’s cozy relationship to Blackness.