Bad Bunny and the Art of Protest

“Michael,” the new Michael Jackson biopic, knows what it’s doing. That’s clear from the opening shot: high-water pants and white socks pushed down to a pair of black penny loafers. It’s appealing to a very specific version of our memories of Michael Jackson. The version some of us prefer to hold onto. But in doing so, it avoids the truth. Our qualms with the King of Pop? Forget about that. Be horrified by Joe Jackson’s abusive parenting. Where’s Janet Jackson and Diana Ross? Nevermind them. Look, it’s Bubbles the chimp! The child molestation allegations? Eh, let’s just play another No. 1 hit instead! Besides, moviegoers are not complaining. “Michael” crushed box office records. With the best opening weekend for a biopic ever, it’s a hit. None of this comes as a shock to Wesley Morris, but he’s left with some complicated feelings. His pal, the film curator Eric Hynes, shares these feelings, too. Together, they review the movie and wrestle with the Michael Jackson biopic that could have been.

Wesley loves Zendaya. The actress caught his eye as the charming but drug addled Rue in HBO’s “Euphoria.” But he thinks Hollywood hasn’t cast her in roles worthy of her considerable gifts. So when Zendaya showed up in the movie “The Drama” as a young Black woman with a secret from her past that threatens to derail her engagement to Robert Pattinson’s character, Wesley was cautiously optimistic. Here were two of Hollywood’s finest in a complex, high stakes, love affair — one made even more interesting by its interracial realities. But the movie inexplicably dodges the question of race. So Wesley invites Gina Cherelus, who covers dating and culture at The New York Times, to help him unpack "The Drama" — what it knows, and doesn’t, about what it’s up to.

“Cannonball” is on its last week of spring break, so we’re sharing an episode of “Popcast” that features Jack Harlow discussing his pivot to R&B. In a viral clip from this episode, Harlow, a white musician, says, “I got Blacker.” Wesley was struck by Harlow's honesty and the questions raised by the full conversation.

While the “Cannonball” team is on a short break, Wesley is recommending some notable conversations he’s listened to lately from other New York Times shows. This week, it’s an episode of “Modern Love,” featuring host Anna Martin talking with Zendaya and Robert Pattinson. They dig into the complicated relationship at the core of their new film, “The Drama,” and consider how much they actually want to know about their real-life romantic partners.

Every spring, Wesley Morris finds himself searching for music that captures the light and breezy feeling that comes with the end of winter. This year, there’s an obvious soundtrack to the season: Harry Styles’s new album, “Kiss All the Time. Disco, Occasionally.” “These songs are like 12 beautiful little flowers,” Wesley says. “They’re not supposed to last forever. They’re just supposed to last for the season. And six weeks, that is a perfect amount of time for these songs to just blossom in your ears.”