The View of the War From a Florida Gas Station

For the past week, travelers flying across the United States have waited in security lines that snaked through airports and parking lots as Transportation Security Administration officers called out of work because of a partial government shutdown. Karoun Demirjian, a breaking news reporter for the The New York Times, explains what has led to the extraordinary delays, and Michael Gold, a congressional correspondent for The Times, discusses the negotiations in Congress to bring an end to the crisis.

Targeting oil and gas infrastructure in the Persian Gulf threatens to hurt businesses and customers around the world for months or even years.

About a year into President Trump’s global trade war, China hasn’t just survived. It has emerged stronger than ever on the world stage. Keith Bradsher, the Beijing bureau chief for The New York Times, discusses the domination of China’s robot-powered superfactories and how the country essentially made itself tariff-proof.

The war in Iran has created strong divisions among President Trump’s supporters. An anti-interventionist wing of the Republican coalition and some senior administration officials partial to Mr. Trump’s criticism of long overseas conflicts have quickly become uneasy about the war, which has shown no immediate signs of ending. Robert Draper, a domestic politics journalist for The New York Times based in Washington, discusses Mr. Trump’s justification for the war and whether he is explicitly violating a pact he made with his base not to start another.

If you’ve spent any time on social media recently, you’ve probably come across a video of a young, square-jawed influencer calling himself Clavicular. He has become the face of an internet subculture called looksmaxxing, in which men do almost anything — like taking steroids and hormones or bashing their jaws with a hammer — to try to become more handsome. In this episode, Natalie Kitroeff talks with reporter Joseph Bernstein about the world of looksmaxxing and how what might seem like a fringe phenomenon is actually the culmination of a digital culture that rewards physical perfection with status and algorithmic power.