The Election That Will Define Israel’s Future

The approach to this year’s midterms has brought two hugely consequential changes to voting for Black Americans: the gutting of the Voting Rights Act, and redistricting. In the wake of those actions, efforts are underway to mobilize Black voters in the South. In Mississippi, the Senate battle is being seen as a sleeper race, and the Black Democrat running has a chance of flipping the seat, but state lawmakers are trying to redraw the maps and do away with their one majority Black district. Today, Emily Cochrane, a reporter covering the American South for The New York Times, addresses the implications for voters across the region — not just in the midterms, but for years to come.

As the midterms approach, our chief economics correspondent breaks down the data.

Our interview with James Talarico, the Democratic nominee for Senate in Texas.

Moscow seems to be seizing an opening to plunge Ukrainian cities into cold and darkness to try to inflict immense human suffering.

The comedian Nathan Fielder came to fame as the creator and host of the Comedy Central series “Nathan for You.” The show followed Fielder as he devised outrageous schemes, ostensibly with the aim of helping various small businesses. What became clear, though, was that Fielder was less interested in helping business owners generate profits than he was in understanding the people ensnared in his plots. His next project, the HBO series “The Rehearsal,” was a similar offbeat portrait of offbeat people. At the center of both projects is Fielder himself, a documentarian whose motives can sometimes be hard to parse. This week, Fielder’s first feature-length documentary, “You Can See Everything,” hits theaters. Co-directed by Lance Oppenheim, the movie shows Fielder embedding himself into the life of the disgraced Theranos founder and felon Elizabeth Holmes in the days leading up to her imprisonment for fraud. The film caused a big splash when it debuted at the Telluride Film Festival, in part because it presents Holmes, a mysterious and compelling cultural figure, through the eyes of Fielder, a mysterious and compelling filmmaker. This week, the Times movie critic Alissa Wilkinson and critic at large Jason Zinoman, who covers comedy, join Michael Barbaro for a spoiler-free discussion of Nathan Fielder, his career, and why he might be the perfect person to tell the story of Elizabeth Holmes.