Her Heart Will Go On Edition

In the 1960s, the Beatles were defined by the success of the Lennon-McCartney songwriting partnership. But in the digital era, we discovered that the Fab Four’s most popular song wasn’t written by John or Paul. In fact, it had never been a chart hit—it wasn’t even released as a single. Today on Hit Parade: Chris Molanphy shines a light on “Here Comes the Sun,” the George Harrison deep cut from Abbey Road that, in the streaming era, has emerged as the most enduring—and most popular—Beatles song of all time. For more about “stealth hits,” listen to Hit Parade’s episode on B-sides that improbably become classics and read Chris’s Slate column about the surprising dominance of this holiday song. Get more Hit Parade with Slate Plus! Join for bonus episodes of "The Bridge" and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen. Podcast production by Joel Meyer.  Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required. Hosted on Acast. See acast.com/privacy for more information.

Jay-Z recently celebrated the 30th anniversary of his debut Reasonable Doubt with a three-night residency at Yankee Stadium featuring superstar guests like Pharrell, Nas, Alicia Keys and, of course, Beyoncé. The marathon event was a tribute to one of rap’s most influential and successful icons—but it was also a reminder that many of Jay-Z's biggest hits were collaborations that showcased the talents of other—often women—artists. Join Chris Molanphy as he traces the decades-long history of Hova’s hitmaking, and how he deftly sought the assistance of female collaborators to push his biggest songs to No. 1. Podcast production by Kevin Bendis. Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required. Hosted on Acast. See acast.com/privacy for more information.

Pink Floyd’s The Dark Side of the Moon is one of the most played, purchased and praised albums of all time. Yet its enduring legacy might be its supernatural chart longevity. Officially, the 1973 long-player has spent nearly a thousand weeks on the Billboard album chart. But that number probably understates its past performance, not to mention its future potential, with new generations of teenagers discovering Dark Side every year Join Chris Molanphy as he explores Pink Floyd's deathless totem and traces the band’s evolution from ’60s psychedelic curios to dorm-room poster icons. Will Dark Side be able to hold onto the all-time Billboard record into the 2030s? Podcast production by Kevin Bendis. Get more Hit Parade with Slate Plus! Join for bonus episodes of "The Bridge" and ad-free listening across all your favorite Slate podcasts. Visit slate.com/hitparadeplus to get access wherever you listen. Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required. Hosted on Acast. See acast.com/privacy for more information.

We’re all familiar with the concept of a one-hit wonder, but what about artists who hit it big a second time—and never again? This week on Hit Parade, Chris Molanphy lays out the ground rules for one of pop's most misunderstood chart distinctions and sorts through the roster of this ultra-exclusive club, which counts Gloria Gaynor, Hozier, the Clash, and Dead or Alive among its members. Then, Chris counts down his favorite fluky examples of two-hit wonders. Podcast production by Kevin Bendis. Get more Hit Parade with Slate Plus! Join for bonus episodes of "The Bridge" and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen. Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required. Hosted on Acast. See acast.com/privacy for more information.

If you were watching cable TV around midday at the turn of the millennium, there’s a good chance you saw a commercial for a compilation CD called Monster Ballads. It promised you more than two hours of musical cheese—some of the most over-the-top, cornball, leather-clad romantic jams ever to grace the charts, from “Heaven” to “High Enough,” “Carrie” to “Amanda.” There’s another, more common term for these rockin’ romancers: power ballads. And while this TV ad suggested the power ballad was perfected in the ’80s—preferably sung by a dude in spandex, with long, flowing locks—its roots go back decades earlier. Acts as seemingly mild as Roy Orbison, Harry Nilsson and even the Carpenters were pivotal to the way these mega-devotionals evolved. R&B divas would turn power vocals into an athletic sport, alongside hair-metal howlers. Eventually, power ballads colonized the charts in the ’80s, the ’90s and beyond. Maybe they’re cheesy, cringeworthy and melodramatic—but power ballads have proven remarkably enduring, with even 21st-century Zoomer stars like Olivia Rodrigo offering their own variations. So, join Chris Molanphy as he brings on the heartbreak, finds thorns on every rose, explores feelings we can’t fight anymore and celebrates pop fans’ greatest love of all: the power ballad. Podcast production by Kevin Bendis Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required. Hosted on Acast. See acast.com/privacy for more information.